Born Erased - Birds Drink My Blood (2025)

Angel Simitchiev has appeared on this blog twice already but never under the moniker of Born Erased. His dark ambient soundscapes are of the best quality and now this is further certified by the fact that the December album was released by Cyclic Law. 

If you wonder what's the deal with the surprising and gory title of the album, its description explains it: the album is inspired by the brutal yet impressive nature of... nature. If you (metaphorically) squint a little, you can hear the album as a distorted soundtrack to documentary movie on the wonders and dangers of [insert any place that is not yet entirely tamed by humans]. Especially the moments where Simitchiev's dark ambient reveals some more ethereal sides (as in Voider). This probably means that, although still in the realm of ambient soundscapes, the tracks here are structured in a cinematic way, making them way more approachable to fans of other kinds of music.

Until, of course, this facade is completely destroyed by the industrial anxiety in Throne of Cages, but I guess it also fits the topic quite well. The nature is brutal, but the humans canbe even more so.

Birds Drink My Blood costs 8 EUR.

Check: Voider

Country: Bulgaria

Genre: cinematic dark ambient

Label: Cyclic Law

Shentov, Simitchiev, Lukanov - Pain and Power (2024)

Angel Simitchiev & Linus Schrab - Airborne (2021)

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Eveleen - falling rain and the light will take you there (2025)

Seta Respati creates his music as Eveleen and he has been doing it for over ten years now. Still, released last December album is his long-play debut so it's worth celebrating. He says that he "make[s] some noise, some people called it art" and I would be one of those "some people" since the single From Me To You I mentioned in here back in 2018.

I love it when I listen to one-person post-rock projects and am unable to say if it's really done by only one artist. This is the case with the Indonesian artist. His post-rock is delicate and skillfully crafted, it's definitely more about creating small gems of melodies than overwhelming with sound. The relaxing sounds feel like lying down on grass and experiencing the world around you from the safe and content position. The inclusion of piano keys that sound like glockenspiel in my ears, only adds to this feeling, making me think of the most relaxed tracks from Sigur Rós (yes, that's why I like dawn: an ascension the most).

So sit back, relax and get transported to the beautiful soundscapes provided by the talented artist from the far away land of Indonesia.

falling rain and the light will take you there costs 10 USD.

Check: dawn: an ascension 

Country: Indonesia

Genre: solo post-rock

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Bloed - Tranen (2025)

So I have this little tradition that before every edition of Dunk!Festival, I listen to the whole discographies of all of the announced bands. I listen to the artists I know to start celebrating this fantastic event and to the artists I don't know to assess if I want to see them live or choose eating something instead. And it's a great thing I do that as this made me discover Bloed, the Belgian band that combines everything I like in aggressive metal sounds.

A sister and two brothers make up the line up of this fresh outfit for whom this is the long distance debut. And saying they play metal is an extreme understatement. It's more like aggressive electronic music (sometimes makes me think of Crystal Castles) with aggressive vocals (the metal part here) and great bass lines-drums framework. Last year I was amazed how much I loved Igorrr's single track called Headbutt where truly impressive metal anger was combined with whatever Igorrr does to maintain their image of true weirdoes. So, in short, Bloed's music sounds like Headbutt without the weird. Electronica very rarely compliments the metal vocals so well so I give kudos to the rookies from the depth of my heart.

I believe Bloed's walls of noise will make many of Dunk!'s regulars blush while the exciting, modern compositions filled with ever-changing pace and surprising bursts of noise will force the audience to reach their limits in front of the stage. I, personally, can't wait.

Tranen costs 9 EUR.

Check: Druk

Country: Belgium

Genre: electronica-based modern metal

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Sunset Images - Oscilador (2026)

Back in 2018 I attended one of the best discontinued festivals in Poland. And that edition of SpaceFest was brilliant, it featured SPOIWO (one of two best post-rock bands in here, together with Ciśnienie, as we know), Medicine Boy and this unlikely hero: a psychedelic band from Mexico. And as most of SpaceFest artists, it took the whole audience far from Earth. Now, Samuel Osorio and the team come back with their third release and it's filled with the same vibes I remember.

In many places I can notice that Sunset Images is tagged as shoegaze project. While there certainly are some clear inspiration drawn from the genre, to me it's really the psychedelic rock that makes it so special about the Mexicans. Yes, there are fuzzy, ethereal vocals that add the airiness to the whole stuff, but they are accompanied by the roughest-sounding, desert-like guitars ever with a little trace of electronica. It is an invitation to the trance induced by the guitar noise that takes us to the hot and sun-kissed desolations of Central America so everyone can appreciate the psychedelic sunsets on their own.

The album, mixed by Alberto González (of Lorelle Meets the Obsolete) and mastered by Oliver Ackermann (A Place to Bury Strangers), revolves (!) around the way our world revolves all the time. "Our world is cyclical; everything repeats itself: our history, our customs, our trends, our way of communicating", the band says and, furthermore, they illustrate it with their repetition-rich music that goes on and on, bringing the audience a message of criticism of everything wrong about the reality around (!) us. 

Oscilador costs 8 EUR (150 MXN).

Check: El tiempo oscila y muere al inicio (Tommy)

Country: Mexico

Genre: shoegazey psychedelic rock

Label: Dedstrange

Sunset Images - Traumatismo Nacional (2021)

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Tristan Perich & James McVinnie - Infinity Gradient (2025)

I dig pipe organ sound in anything. Give me Anna von Hausswolff's early releases anytime of day. But when I heard about this album where this instrument meets post-minimalism and "1-bit music", I had no idea what to expect.

Tristan Perich is well-known for his minimalist electronica (not by me cause that is, simply speaking, not my kind of music), James McVinnie is an acclaimed organist from NY and together they've created something they call "an hour-long symphony in seven movements for organ and 100 speakers in 1-bit audio". It sounds extremely impressive, probably more from the realm of modern art than music, but it doesn't matter to me much. What matters is that the album itself is so satisfying to listen to. Probably because all I hear is the organs i various compositions I have no ability to describe as I lack music knowledge. What I know is that the hour passed so quickly when I was submerged in the massive sound of the king of the instruments.

Infinity Gradient costs 9 EUR (8 GBP).

Check: Infinity Gradient: Section 7

Country: New York, US

Genre: organ-based orchestral neoclassical

Label: Erased Tapes Records

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Theory of Ghosts - The Sulphur and the Grey (2026)

For many reasons, Closure by Piano Magic was an album as important as it was devastating to listen to for me. It also crowned the band's discography in near perfect way, but still meant that there was a musical presence I would sorely miss. Fortunately, on Piano Magic's ashes, Theory of Ghosts rose and it shares a lot of common things with its predecessor. And the artists behind it have just released their debut album!

Theory of Ghosts is Glen Johnson and Franck Alba (of Piano Magic) who, together with Robert Hervais-Adelman, create something I would call minimal ghost rock. All the PM fans out there will quickly recognize the vocals (obviously) but also the lyrical flavour that, to me, a person from Central Europe, is so strikingly British. I love it and I love when they sing about UK and London (places I've never been to, let alone have any relationship with) but also about more universal aspects of life. "When nobody knows who you are, you can do whatever you want" being probably the sentence I will take with me from this one.

Music-wise, it's a minimal (but still very artistic) electronica that has a hint of this autumnal sadness I associate these vocals with. Especially when it's joined by subtle guitar sounds and strings. Sometimes the electronic part is even more... beepy. I know it's not a word, but listening to Blame makes me think of this word. Theory of Ghosts is a great name as it's like listening to a ghost of something that used to be, but also to something that is completely new in form. 

The Sulphur and the Grey costs 9 EUR (7.99 GBP).

Check: When Nobody Knows Who You Are

Country: UK

Genre: minimal ghost rock

Label: Second Language Music

Theory of Ghosts - EP1 (2023)

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monotheism - Mantra (2025)

Three masked individuals from a far away country of South Korea bring another near-divine (and very short) album to my speakers. 7 years (!) after their last EP (also mentioned in here), they come back with this trance-inducing, spiritual and mind-blowingly noisy release that is entitled Mantra but also IS a mantra at the same time.

"We play the resonance of the divine. Three waves become one mantra", they state and they follow by explaining the role of each of the three tracks on the EP. The noisy guitar sounds first let us connect with the divine resonance, then find the origins of all sounds and finally get lost within the sound itself. The aggressive-sounding guitars are most certainly NOT what one would imagine when reading a description like this, but I can assure you that the flow is there and it can take anyone with it towards the sonic awakening.

Mantra costs 5 USD.

Check: Cycle

Country: South Korea

Genre: noisssssy post-rock

Monotheism - Reveal (2019)

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