sobota, 12 września 2026

Tomoyoshi Date + Stijn Hüwels - Tatemono (2026)


Another year, another great release from the Brazilian-Japanese artist Tomoyoshi Date. This time, again, a collaboration with Stijn Hüwels from Belgium. Together, the two gentlemen cast a musical enchantment on their listeners cause how else can this sonic beauty be explained?

The music here is very slow. Actually, you can barely hear it move. But it does, in the tiniest of waves, like a lake in the darkness before dawn. There are other small proofs of the fact that life is somewhere there, living on the edge of the compositions. It's the soft, intimate piano key sounds, not entirely providing you with melodies, but also not entirely lacking those. I feel like this album is about nature, but, in fact, it's the exact opposite. The title means "a building" and the tracks further confirm that. So, I guess, it's an office building at night? I don't know, cause office buildings and what they're about at night may be one of those unsolved mysteries of the reality around us. 

But one thing is sure: it's just one of the most melancholic but also comforting albums these days.

piątek, 11 września 2026

Din of Celestial Birds - Takeoffs & Landings (2026)


Three years after their highly appreciated debut album, the post-rock society is thrilled to receive a sophomore release from the Leeds-based outfit Din of Celestial Birds. They artists are proud about their fast and energetic, but also meaningful instrumental music. And rightly so, as the new album follows the (quick) steps of its predecessor.

As the title suggests, the album is "all about adventure, travel, and the journey of life" with everything that follows: the challenges, the failures but also the every day victories. Judging by the pace of most of the compositions, the artists have a similar feeling as I do: life runs forward so fucking fast. The guitar melodies reflect that very well, at least in most parts. The guitar melodies are the focus point for the band which goes very well with the very much genre-specific ways of employing the narrative and the emotional side of music.

The downside of the album, for me, is fewer moments devoted to atmosphere-building. The balance is shifted certainly towards the catchy and the dance-inducing side. Which has to be awesome at the live gigs too. I'm saying that because in my books this is usually a hard pass for me, but in this case, I feel like it works very well. I'd love to see those guys live at one point.

Takeoffs & Landings costs 10.5 EUR (9 GBP).

Check: Second Star To The Right, and Straight On 'Til Morning
Country: UK
Genre: guitar post-rock
Label: Big Scary Monsters



czwartek, 10 września 2026

Drawing Hills - Lueurs (2026)


I can't believe I already posted about the French band of Drawing Hills... almost 10 years ago. This reminds me that very, very soon, this blog will have its very significant birthday. But this can wait as the short EP released in June and filled to the brim with quality post-rock is worth a story of its own.

Since 2017, the band released only 3 EPs so it's not the most fruitful music career I've seen. HOWEVER, for a small and relatively unknown band, the quality of the music they create is staggering. I love when guitar post-rock finds this balance between being catchy and melodic and noisy and overwhelming. And Lueurs showcases just that: the guitars play blissful melodies only to become aggressively loud and math-rock-like random (in my favourite track here, Inferno). This doesn't mean that there is no continuity here as the whole album feels very well-thought-through and coherently atmospheric.

So the EP may be short, but there is A LOT going on from the beginning to the finish. I just wish the Frenchmen won't wait another 4 years with another three tracks. It's time for an LP I think.

Lueurs costs whatever you want to pay.

Check: Inferno
Country: France
Genre: guitar post-rock




środa, 9 września 2026

The Dreamtoday - We Won't Survive the Comet (2026)


Hailing from Pennsylvania, The Dreamtoday brings us some of noisy and coarse-sounding shoegaze, a subgenre that doesn't always work right, but this time it certainly does. They released their second album called We Won't Survive the Comet and it's such an interesting read (I'd say if that was a book)!

A second album or "a story of delusional grandeur and apocalyptic bliss" as they advertise it. And I'm kinda perplexed by the description. If anything, I'd say the sound is more garage-like or small-stage-big-party-esque than equipped with grandeur. As well as bringing the crunchy sounds than the blissful, synth-heavy shoegaze. I was hesitant to call it grunge as I never know what it means exactly, but I see the band themselves use this tag so, yeah, it's grungey shoegaze. Grugaze. 

I particularly like when the band tries adding something else to the slate like when the soothing vocals finally give up lighting up the compositions and get overwhelmed by the noisy guitar sounds as it is the case in Crystal Sky or in my favourite Our Beacon. Or the sort of an interludium but also kinda a cool and dreamy song in through fog. Or the wild Saxophone appearing on Breathe. There is a lot going on in here, probably just as it would be in the final moments before the not surviving the comet situation. Oh, also, the vocalist's called Violet Nowak so cheers to my fellow Polish person!

We Won't Survive the Comet costs 9.99 USD.

Check: Our Beacon
Country: Massachusetts, US
Genre: grugaze (grungey shoegaze)