Harbors - When We Are Free (2025)

When two acclaimed neoclassical artists start a new project together, you know it should be good. But when they are also a couple, it's a strong lead that the project will be also very emotional. Hollie and Keith Kenniff created Mint Julep and Meadows before, now they are known as Harbors.

This is my favourite kind of a soundscape: one that feels calm, but also lively. When I know there is many things going on around me, but the whole thing is relaxing and inviting. It's like watching fireflies on a summer night. You are aware that they appear here and there, but it doesn't make the night any less peaceful. And it's the piano keys, they are the fireflies. You have to look for them to appear and then don't lose track of time trying to follow them.

When We Are Free costs 10 USD.

Check: A Portrait of Time

Country: Oregon, US

Genre: lively soundscape

Label: Nettwer Music Group

Hollie Kenniff - For Forever (2024)

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Blak - Mont Solitud (2025)

Post-rock so complex that you can't really keep up with everything that goes on and yet everything sounding coherent and atmosphere-inducing? This is the Catalan band Black's sophomore album called Mont Solitud and the sheer energy of the track here, together with the perfect execution of the ideas, makes me wanna say that it is my favourite post-rock album of the year so far!

I don't know how to explain it, but this music feels so genuinely wild. It's vibrant, it's wild, it's a bit chaotic. The noisy parts are very noisy, the calmer parts feel like the calm before storm. To me it's clear that the artists feel the music, that there is notching artificial in their compositions. One more thing that facilitates this feeling is that the second track of the album, La solitud és gàbia, features my favourite Chinese post-rockers, An Corporation, and if any music should be called the most genuinely energy-filled, it would probably be them.And yes, the results are spectacular.

The band describes their music as "an instrumental journey through the many faces of solitude", but to be honest I don't hear the solitude here. Rather the opposite, there is so much going on in every second of the album, there are guest artists, there is the special "collaborative song I Am You, featuring the voices of 50 people who joined in to sing with us", which I don't know what it is about, but doesn't sound solitaire at all. But perhaps the artist's wanted to explain that even though you are joined by many people in your life, in the end, you are alone anyway. Sad, but true. And explained in a fantastic way.

Mont Solitud costs 7 EUR.

Check: La solitud és gàbia

Country: Catalonia /Spain

Genre: complex post-rock

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Hiroe - Wield (2025)

They may be seen as US new big post-rock group or maybe it's just a media stunt. Nevertheless, the truth is that the Pennsylvania band of Hiroe released their second album which is as good as the first one and includes the same heaviness of guitar music as the debut. So maybe it is true after all?

You can safely say that their music has a lot borrowed from heavier, metal music. The guitars feel overwhelming, sometimes there is some of the guitar riff racing (Collider!), but the thing that strikes me most is the pace the drums keep in some tracks. Makes you feel alive that one. That's why, if we play the genre game, I'd say Hiroe is the band right on the border of post-rock and post-metal, right in the crossfire if the front moves one day.

Being a thematic continuation of Wrought, Wield comes back to the thoughts on the "transformation stemming from personal loss within the context of a devolving world, against the backdrop of the global pandemic" and I don't know if it's just me, but the sound of the music makes it quite a bleak realization in the end. Still, with Mario Quintero as producer and Cult of Luna's Magnus Lindberg mastering, the album feels fantastic quality-wise.

Wield costs whatever you want to pay.

Check: Tides

Country: Pennsylvania, US

Genre: heavy post-rock

Label: Pelagic Records

Hiroe - Wrought (2022)

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aswekeepsearching - kyun? (2025)

It's probably clear by now that those three guys from Pune are my favourite Indian artists. Their post-rock music is as inclusive when it comes to original sounds as it is atmospheric. It's all proven true once again on the band's sixth album entitled kyun? 

Reaching their 10th anniversary as a group, the artists dedicated the album to... dedication. Or more precisely, "to the strength it takes to keep going". As always, the dense atmosphere of their music is achieved by the use of violins the sounds of which are not only complimentary, it's very often the main focus of the audience and it's a great thing. I just love post-rock with strings, no doubts about it. And here, violins play both of the spectrum, the energetic, melody-bringers and the calmer, atmosphere-makers. Obviously, it makes the music feel cinematic too, but it's not the main feeling I get when listening to kyun? 

The guitars are also joined by a flute (I think?) and a multitude of samples, ambient passages, other effects. That's what I call an eclectic and inclusive guitar music! And Uddipan Sarmah's vocals are another thing. It just fits the style of the band and I'm always open for more vocals in post-rock compositions. After all, the artists are set to create a "must-experience for anyone who appreciates the power of music to evoke emotions and transport you to a different world" and so any means are acceptable to do that.

kyun? costs 12 USD.

Check: happiness > god

Country: India

Genre: violins-led post-rock

aswekeepsearching - Rooh (2019)

aswekeepsearching - Zia (2017)

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Pan Thorarensen - Ljóstillífun (2025)

Icelandic soundscapes that reflect the country's landscapes just have to be outstanding. It is proven once again on a debut album of Pan Thorarensen, otherwise acclaimed and experienced artist known as a member of the ambient music father-son duo Stereo Hypnosis. 

The album is inspired by Icelandic nature which is really not a surprise. I feel like it's difficult not to get inspired by nature living in such a beautiful place. But it's not just inspiration, Pan used field recordings and made an inspiration into music itself. It's literally giving the voice to the nature. Second thing that draws attention to the album is the guest list. And it is really impressive and including artists like Patricia Wolf and Hoshiko Yamane of Tangerine Dream.

The results are calm and relaxing. There is no place for winter storms, it is more about the peacefulness and emptiness. I can't complaint, especially when some wildly beautiful piano keys appear.

Ljóstillífun costs 6 EUR.

Check: Glitský

Country: Iceland

Genre: instrumental ambient

Label: U Know Me Records

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The Polar Dream - Alma Gris (2025)

Their fourth album is th first that got through into my music bubble and I'm so glad it did! The Mexican post-rock outfit The Polar Dream create a unique take on the music genre, that is lighter and fresher than most, staying true to the music's atmosphere though.

Post-rock inspired by cyberpunk (and also shoegaze, Krautrock, etc,)? Oh yes, count me in! It's definitely not a coincidence since the album is opened with a track titled Mexico 2045! The sound also shows the inspirations with a big parts of the compositions being driven by synthesizer sounds. It's something like Tides from Nebula but maybe even more synthetic in some parts. But the thing I like the most (and, to me, feels most exotic) is the trumpet and its impact on the music (so great in Mudra!). This screams Mexico to me and I love it.

In general, the music here feels so much alive! It's melodic and energetic while still preserving the genre's signature mood. It's really fun listening to the Mexicans, I have to catch on with their previous releases as well.

Alma Gris costs 4 EUR (84 MXN).

Check: Mudra

Country: Mexico

Genre: cyberpunk post-rock

Label: Atajos del Norte 

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thisquietarmy x otay:onii - Howl and Tell (2025)

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The collaboration between two outstanding experimental musician, thisquietarmy (Eric Quach) and otay:onii (Lane Shi) had to bear some exciting and valuable fruits. And, surprise, surprise, it did! Long and spacious, yet deeply intense. Imagine industrial ambient and noise folk music from your beautiful nightmares.

As mentioned on their instagram, the project was born during the 2023 tour that Quach went on in Europe and where Shi was supposed to be an opening act, but quickly got introduced in the main one as well. And I have to tell you, it was rather clear that the two would find a common language. The industrial soundscapes with noisy guitar sounds hidden in the backgrounds, lurking from the shadows fits perfectly with Shi's vocal improvisations that you can feel on your skin. Even when the backgrounds attack the most with the raw and dirty sounds, the vocals are still the most important to me. But maybe I'm just drawn to their uniqueness so much.

This autumn, otay:onii is playing a gig in Warsaw and I'd love to see her live finally. Maybe this will sooth the regrets I have from not going to thisquietarmy's performance at dunk!festival:)

Howl and Tell costs 8 EUR (7 GBP).

Check: Lips Touching the First Word in Sleeps

Country: Canada, China/Germany

Genre: industrial dark folk

Label: Cruel Nature Records

Hypnodrone Ensemble - Plays Orchestral Favourites (2018)

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신윤수 - Wherever (2025)

Another proof that shoegaze music fits so well into the Asian scene that serves as a real hub for the beautiful, noisy music. For Korean artist 신윤수, Wherever is the third short EP in her discography filled with the perfect balance between the soft and airy and the loud and heavy.

"Crafting emotionally textured soundscapes rooted in solitude, memory, and motion", the Korean musician is deeply rooted in the genre's 90s original sound, but adds the contemporary sound quality and the overall good flow. Like in the fantastic old table and its flowing backing vocals that drive the whole composition. It's melodic enough but the artist doesn't over do it: it's not twee, it's not indie pop, it's a real guitar banger of an EP with airiness and ethereality woven inside.

Especially when the album looses all the breaks when it comes to the guitar noise. It's not a coincidence that there's post-rock mentioned in the description. I just wish it was longer: the album and the tracks themselves, I feel like they don't reach the whole potential before they're cut short.

Wherever costs 10 USD.

Check: old table

Country: South Korea

Genre: melodic shoegaze

Label: THE VAULT

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