Folk-oriented but very modern lo-fi industrial music from the East corners of Poland, this is Adam Piętak and his music project that got recognized thanks to 2020's ODRAPDORAP and now is being pushed further towards the weird and mesmerizing world of Piętak's uniqueness due to the new album called Żałosne ("Lamentable").
Unlikeon the previous release, there's very small amounts of vocals here. Perhaps the new brand outfit with the BDSM/folk-inspired mask (yes, it's possible!) makes it particularly difficult to sing or Piętak just decided to draw special attention to something else this time. But when they show, in Sitarenka ("A Sievemaker Girl"), they are still his signature asset: somewhat spoken, somewhat shouted out, a bit metal-like, very lo-fi and mixing the folk leitmotif with Weltschmerz-induced, super unnerving lyrics. And yes, the folk roots are strong as always - the whole album's theme revolves around sitarstwo, the art of creating sieves, apparently popular back in the day in Piętak's hometown of Biłgoraj. But, as always in folk music, this is only an excuse to introduce the real theme of the album, as the artist states it, "Żałosne is an album about parting/splitting-up and the grief that comes with it". No wonder that the main message I took from those tracks is "everything is horrible!".
Further into the album, it turns out to be purely instrumental. The tone clearly sounds like it was supposed to: it's a lament of a hurt soul. And Piętak does a really good job in creating this industrial, post-apocalyptic and very, very sad atmosphere while adding folk instruments into the mix. I have no clue about those, I can't describe or name what is being used here, but you can hardly come across such a combination, very often bordering ambient/drone confusing soundscapes, that's for sure.
Żałosne costs 3.5 EUR (15 PLN).
Check: Gorzki baź
Country: Poland
Genre: industrial folk
Label: Requiem Records
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