niedziela, 12 kwietnia 2026

Green Horizon - Blessing (2026)


I'm pretty sure I've said it before, but let me repeat myself: one of my favourite ambient pop artists comes from Taiwan and is definitely not well-known enough. Green Horizon has recently released her new EP on which she blends ambient pop with soft neoclassical tunes, everything honest, real and intimate.

The album is meant to be a blessing "for the forgotten, for the unloved, for those in pain" and I must say that the neoclassical beauty of the piano keys that sometimes lead the compositions here but sometimes also drown in peaceful noise are something that has to bring some kind of relief to anyone in need. It doesn't matter if the compositions are mostly piano soundscapes or if they are written around the airy vocals, all of them are beautiful.

I don't know much about the Asian poetry, but to me and to my layman heart, Green Horizon's lyrics feel very much like a rendition of poems form this part of the world. Honest and clearly indicating certain things, but still mysterious. Telling everything without telling everything. Which I guess is true to the music itself.

Blessing costs whatever you want to pay.

Check: Path
Country: Taiwan
Genre: piano ambient pop




sobota, 11 kwietnia 2026

David Boring - Liminal Beings and Their Echoes (2026)


Post-punk so energetic that makes you move uncontrollably and so catchy that could almost be heard on a radio? And coming from such an exotic place (from my perspective) as Hong Kong? BANGER! I'm so glad I discovered the exciting weirdness of David Boring just in time to feature their sophomore album on the blog.

It's not like the whole almost an hour long album is filled with adrenaline-fueling high-pulse music. Surprisingly, when you focus on this, most of the album is about the moody and intriguing parts that are slower but equally satisfying. But when the whole thing ends, you remember the moments that make you jump like crazy. In fact, the latter wouldn't really work without the former. I love the changes of pace between dark and moody Jenny Rotten, fantastically catchy Earth Song and the ballad in Visit Me (Cabin Song). So we have the dark, the catchy and the moody. And the whole album can be described in this way. Like going in and out of the best disco of your life.

There is also an element of the wild and angry noise somewhere there which makes the project on pair with noisy pop projects like Poppy but clearly more post-punk in origins than metal-adjacent. Anyway, I hear here also KOKOKO (again, in my favourite Earth Song) and a multitude of other influences and every one of them is amazing. And I haven't even mentioned the charisma-dripping vocalist who blends in with the genre changes effortlessly. Fantastic album.

Liminal Beings and Their Echoes costs 12 EUR (10 GBP). 

Check: Earth Song
Country: Hong Kong
Genre: dance punk
Label: Damnably/UN.TOMORROW



piątek, 10 kwietnia 2026

Kielichy - Punkty płonące (2026)


"Melancholia, Misanthropy, Melody", this is the whole description of the Polish project Kielichy ("Chalices"). But it's also everything it needs. The Wrocław-based band walks among alternative genres with grace, taking a lot from folk and post-punk, but ultimately creating something very, very theirs. But it's also a goodbye of some sorts.

The short EP makes the second longer entry in the band's discography after the self-titled EP from two years ago. This one feels like a continuation of the debut, but also a level up for me. Adrian Szczecina's deep voice automatically adds a lot of darkness (and darkwaveness) to the whole project that marries folk's lyrics-writing and sensibility with alternative guitar music. I must say that my favourite part of this music is the sound of the guitars here: the darkness just emanates from their low-pitched, calm but also unnerving presence. Black Heart Procession's vibes all over the place.

But also i is said that the band aims at changing their signature sound, moving away from the neofolk vibes towards... Yeah, who knows? The EP's last song, Morze Czarne ("The Black Sea") is a clear statement on this style shift. It doesn't reveal the destination, but verses like "We have to destroy some things finally/To create new places" tell a lot. I'm very curious here cause the artists clearly know how to draw inspiration from various genres to make something poignant and dark so I'm not worried. As they sing: "Let us sail. We'll find ourselves alone in the middle of the sea".

Punkty płonące costs 2.5 EUR (10 PLN).

Check: Morze Czarne
Country: Poland
Genre: darkwave neofolk



czwartek, 9 kwietnia 2026

trauma ray - Carnival (2026)


Two years after their well-received debut album, the Texas-based trauma ray are back with a short EP. But, spoiler warning, the album may be short, but it's not short of intensive sounds balanced by ethereal peace in some parts. These ever-changing, forward-thinking but also always extremely moody compositions are what we love the band's music.

Years and years ago I called their music "Somewhat shoegaze, somewhat post" and I can still agree with my former self. Their music is very guitar-heavy, I don't think there's place for any weirdness like samples or synths or electronic additions. No, it's rough guitar sounds and tangible textures everywhere. But this is contradicted with very modern-feeling compositions that make me think of Holy Fawn or Nothing, bands that are definitely more keen on experimenting with sounds. I love it. 

The description of the album says that it's the band's "strongest, most intense, and exploratory work". It was created in the midst of an extremely busy period of time when the artists toured a lot with barely any time for developing the project further. In the middle of a real-life Carousel if you wish. But the compositions here don't feel rushed, in fact, if it wasn't for the length of the album, I'd say it's already material from the sophomore album. But for that, we have to wait.

Carnival costs 4.99 USD.

Check: Méliès
Country: Texas, US
Genre: heavy shoegaze
Label: Dais Records




sobota, 4 kwietnia 2026

Dear Gravity & Raphah - Chronos (2026)


Another transatlantic collaborations in recent months makes it to the blog. This time it's a short EP made by Mike Graff aka Dear Gravity from the States and the artist known as Raphah from UK. It is short, but it's also so beautiful like a drop of dew in the morning sunshine.

As is clearly stated in the EP's title, the main theme of music here is the concept of time. The slow, introspective compositions feel like they are meant to make you experience the time flowing around you, from nothingness to nothingness. But while this concept is dreadful (to me and I'm sure to most people), the artists turn it into a thing of beauty. Thick layers of ambient with occasional droplets of piano sounds always get me. The album's slow pace and beautiful combination of neoclassical and ambient sound is a perfect way to end a day.

Chronos costs 5 USD.

Check: Chronos
Country: Minnesota, US/UK
Genre: neoclassical ambient
Label: Echoes Blue Music




piątek, 3 kwietnia 2026

BAZGROŁKI - Przełamując fale (2026)


The Tricity music scene is said to be one of the most important ones in Poland, but living on the other side of the country makes it very distant for me, even in the age of social media. I was lucky enough to get to the new album release show where BAZGROŁKI showed to the world how dramatic the change in their music had been recently and how well they can now enchant the audience with the dreamy and mesmerizing music.

Because Przełamując fale is not a debut album, but more of a reborn: the days of the funny indie pop rock are gone and the artists embrace the more mature and way darker music now. The album's title is the Polish translation of von Trier's classic movie Breaking the Waves, but it's also a reference to the sea-oriented nature of their home city of Gdańsk and finally, a sign of a breakthrough in the band's story. The artists claim that it is a "sonic drift between the sea and the subconscious", making comparisons between sea waves and sonic waves and I find it apt and beautiful. And just like the sea, the sound here is massive.

If I HAD TO choose, the balance between the airy shoegaze atmosphere and the heavy guitar psychedelia is slightly shifted in favor of the latter (and it was even more pronounced during the live performance). The desert-like psychedelic walls of sound go on for ages and then you realize the song is already gone and you've been staring into space the whole time it was on. Sometimes those are more like the calm sea, without any recognizable feature, just a constant stream of noise (Bezmiar!), sometimes there are notes that rip through to make you pay attention (in Meduzy!) and then they disappear into the depths of sonic waves once again. The tide has turned for BAZGROŁKI.

Przełamując fale costs 5 EUR (22.5 PLN).

Check: Podwodny świat
Country: Poland
Genre: dreamy psychedelic rock
Label: S7Records



czwartek, 2 kwietnia 2026

BRUECKEN - years that answer (2026)


One of the most interesting new instances of the classic, guitar-oriented post-rock music comes from Germany. At the end of February, the Oldenburg-based BRUECKEN released their third album and it's some bloody good guitar music.

The album is filled with guitar compositions that are more melodic than atmospheric and can appeal to the fans of the good, ole' post-rock. But they also include a range of other sonic decoration, like the ethereal elements in Periapsis or soft vocals in Signs of Spring that can satisfy all fans. I really like that the massive compositions, first of all Dissolving, where you can feel the weight of the guitar sound while still enjoy the ever-changing melodies share the album space with some airy beauties that function basically as ways of appreciation of each sound and every note created. 

The name of the band is no coincidence. Just like bridges do (bruecken means bridges in German), the band is all about uniting. Let me quote the artists: "We believe in the power of 1music, friendship, empathy and solidarity and stand firmly against all forms of discrimination". I'm cosigning this message with both of my hands. And hey, we have our man in the line up as David Barteczko plays guitar since the establishment of the band!

years that answer costs 9 EUR.

Check: Dissolving
Country: Germany
Genre: classic post-rock
Label: Moment of Collapse Records



środa, 1 kwietnia 2026

Chalk - Crystalpunk (2026)


The Ulster band became a sensation with only three EPs ever released, but this is history now as the Ross Cullen - Benedict Goddard duo are finally releasing their debut album and it's as good as could be expected. The powerful music that blends post-punk, industrial and several other exciting genres leaves mark after the very first listening session. Welcome to Crystalpunk.

The music here marries various kinds of electronic and guitar music: the dark and the darker. The industrial vibes are all over the place, the electronic parts are designed to overwhelm you while make you dance like a psycho at the same time. It's the kind of a sound you feel with every inch of your body. The high-pulse compositions are the core of this release: high pace and angry, chaotic post-punk vocals do their job so well! And I can't even say which songs are best here, all I know is that the artists are really good at picking the single tracks.

But there is more to the album than only the adrenaline-fueled hits. The uncomfortable lyrics sound best when screamed out, no wonder that the word "pain" appears everywhere at the release, mostly referring to the emotional struggles the artists lived through. As the description of the album goes, it was inspired by "the beauty, confusion, complexity, and intensity of [the artists'] youth – lived under the shadow and around the scars of conflict. In many ways it reminds me of Glasvegas' lyrics even if musically the two couldn't be much different. The duo is planned to come to OFF festival being one of the major reasons for me to go there too this year.

Crystalpunk costs 9 USD.

Check: Can't Feel It
Country: Northern Ireland, UK
Genre: industrial dance punk
Label: ALTER Music



sobota, 28 marca 2026

Jelena Ćirić, Snorri Hallgrímsson, Cécile Lacharme, Oliver Patrice Weder - Tramuntana Tapes II (2026)


The four artists started collaborating as a group in 2023 "at an old shoe factory in Mallorca". Since then, they released an album in 2025 that is now being followed up by a second release. The improvised neoclassical music they create together has the charm and the beautiful energy that inspires the audience with so much ease.

The two releases are characterized by delicate neoclassical soundscapes joined by magical vocals that only boost the soothing and slightly mysterious atmosphere. This all is a result of creating music freely, without a plan or expectations, just fueled by the energy of the group of artists being present in one place in one moment and filled with the need to create something together. Jelena Ćirić sings, Snorri Hallgrímsson and Oliver Patrice Weder play piano and Cécile Lacharme accompanies all of them on viola. I love this multi-instrumental neoclassical team joining forces like some sort of Avengers to save the souls of us, mortal music enjoyers.

Tramuntana Tapes II costs 4 EUR (6 CAD).

Check: Wave
Country: Serbia, Iceland, France, Switzerland
Genre: neoclassical
Label: Moderna Records



środa, 25 marca 2026

LOLOET - Circle of Echoes (2026)


When I listened to this album, I didn't know the story around it. But apparently LOLOET is a project centred around Ayaka Wada, a j-pop singer and an idol known from girlsband Angerme, who decided to create... ambient pop? How cool is that?!  What's more important, the effects are fascinating: the slowcore, jazzy and experimental pop feels both artsy and fun to listen to. This February, the band released their debut album and it's definitely worth checking out.

Wada says she wanted to make music "that resembles the paintings of Mark Rothko" (yes, those bright and colourful minimalist and abstract pieces) and I... don't see it. I mean the abstraction is certainly there, but this music is far from minimalism. But it's very, very possible I don't focus on the right thing, I have no idea about paintings. My point is that music here is very, very rich. Yes, it may start as ambient background, but it quickly evolves into jazzy and neoclassical structures that ripple around and change shapes all the time while Wada's soft and airy vocals charm their way into the listeners' hearts.

It's such a fascinating journey this album: you can't guess what's going to happen next. Some compositions are vocalless and they are magical too (I'm looking at you, les yeux) and some become a poetry reading that touches upon important, sociopolitical themes. The thing that makes this music special is also the use of trumpet sounds: Chan keng's doing what he can to add this trumpet charisma to the compositions without overwhelming the listener, which I really appreciate.

Circle of Echoes costs 15 EUR ( ¥2,800).

Check: Le matin
Country: Japan
Genre: slowcore/ambient pop
Label: Kankyo-ON



wtorek, 24 marca 2026

Lucy Kruger & The Lost Boys - Pale Bloom (2026)


It's been already almost 10 years since Lucy Kruger started releasing albums with her band as Lucy Kruger & the Lost Boys and she proves that she has innumerable layers of artisticness and pure talent within herself. The albums are released so frequently one can lose track of Kruger's discography, but that's ok. I can assure you, they are only getting better and better.

The characteristic minimalism the artist nurtures evolves with every release, at least that's how I see it: it's not as rough and lone electric guitar-heavy, less of the dark blues vibe and more towards softer, dreamier art pop music. In some places even bordering with ambient pop's soundscape-y unintelligibleness of the backgrounds. It may be softer but it's certainly not much lighter: the darker shade of dreamy is the signature skill of Kruger's music and, first of all, lyrics which play the lead role in every song on this and any other release. And those can be extremely poignant and uneasy. 

But the thing I love about this music is how effortlessly it combines the ethereally catchy parts with artsy, slightly less approachable in form, very often within one composition too. That's why Ambient Heat is definitely my favourite here: the short lyrical phrases that create a mosaic of fear and existential uncertainty contrast the beautifully executed chorus that contrasts the ambient pop formless parts. I could hardly not love this one.

Pale Bloom costs 9 EUR.

Check: Ambient Heat
Country: RSA/Germany
Genre: dreamy art rock
Label: Unique Records/Schubert Music




piątek, 20 marca 2026

Callière - Solar (2026)


Andrew Rose makes his music for ages now! His music alter ego came back in 2021 after a long hiatus and there's already 6 albums released as Callière. Solar, the final one, makes me think of the classic shoegaze artists as it is as dreamy as it could be while being a clearly offstream gazey project. No wonder that Rose has some interesting connections to Nick Noble of 93MillionMilesFromTheSun, one of my favourites within the sub-genre.

Rose's music is based on dreamy and dense backgrounds and very airy vocals. The important parts are the melodies: in fact, everything in this music is about extremely catchy melodies (sometimes drawing from the old pop song-like motifs as in Calling Claire from Clare) submerged in the oneiric atmosphere. The compositions are never loud, it's way more dream pop than shoegaze, especially that the backgrounds seem to be designed to creating the atmosphere rather than than to draw attention to themselves. It's the melodies that matter, even when they drown in the noisy music (in the beautiful cover of The Pains of Being Pure at Heart's Anne with an E). 

This album is said to be inspired by the artist's "journeys along the Camino in northern Spain, where the landscapes and the quiet rhythm of long days on foot sparked a wave of new songwriting" and I can definitely sense this in the unhurried compositions that take their time to get through start to finish, more interested in the landscapes/soundscapes around. I love it. The album features also a handful of guests, but I don't recognize anyone. Still, the vocals provided feel like a good match for the compositions.

Solar costs 5.75 EUR.

Check: Cephalophore
Country: UK/France
Genre: lo-fi dream pop
Label: Pristine Audio



sobota, 7 marca 2026

Be Still the Earth & Jacob David - sigh (2026)


It is a tiny album, but Marshall Usinger (a.k.a. Be Still The Earth) and Jacob David make up such a breath-taking duo, I had to post a little note on the EP here. The softest of soundscapes is here, made of warm electronica and beautiful piano notes, making the audience feel like listening to literal clouds.

The ambient producer from Colorado and the Danish pianist made sure to create this souondscapes with the warmest sounds: the very subtle electronica is never too loud, never too present, always just enough to employ the listeners' ears. It is not the background for the piano keys either. Rather both, the electronica and the piano sounds coexist within each other, creating one body of sound that waves a little, but always only a little. And even Benjamin Tatlow (a.k.a. Antarctic Wastelands) is here for a second! Listening to these 10 minutes is such an amazing experience!

sigh costs whatever you want to pay.

Check: fold
Country: Colorado 
Genre: piano soundscape
Label: slow echo



piątek, 6 marca 2026

O SAALA SAKRAAL - Oastar (2025)


If you check the RYM page of the Dutch project O SAALA SAKRAAL, you will find that it consists of four drummers. The drums in this tribal ambient pagan outfit are in the spotlight, indeed, but they are not everything that is going on in this chaotic and eclectic music. It's time to dive into this spiritual experiment for the third time.

The album is said to be an artistic response to an event nobody from outside of the Netherlands heard about: the "destruction of an ancient solar temple by local authorities in the eastern region of Hamaland, a land still shadowed by the enduring influence of the Church". This alone shows the vibes that dominate in O SAALA SAKRAAL's music: the spiritualism is here, but it's spiritualism that is much, much older than what people may think and it involves tons of drumming, humming and whispering. The dark ambient meeting tribal sounds is such a unique experience! I sure would love to see the project performing live one day!

The album is meant to be a response to "a yearning for restoration, for a return to the primordial harmony that once bound all things". The mesmerizing compositions transport the audience in time and not so much in space, but basically to whatever was there, at the location of your home, when it was still the wilderness. Listening to the dark but profound music of the talented artists, you can be sure that they "come cloaked in the guises of the woods".

Oastar costs 8 EUR.

Check: (We Come) Cloaked in the Guises of the Woods
Country: The Netherlands
Genre: dark tribal ambient
Label: Cyclic Law




czwartek, 5 marca 2026

Los Sara Fontan - Consuelo (2026)


The Spanish duo Sara and Edi (who does look like Taika Waititi in Our Flag Means Death) was part of last year's Pohoda festival's line-up and that's how I got to know them. Their experimental music with unbelievable energy and passion was my personal highlight of the whole event. So when they released an album last month, I knew it needed to be posted about in here.

Like most of their music in general, this album is a them taking a stance against the modern world that makes our lives harder with technocracy, fascination with the right-wing politics and climate change to name just a few terrifying things. The title's "consolation" is found in "small communities that challenge the techno-feudalist logic and propose new hopeful solutions". This album and this music is part of this. The instrumental music made with violin/keyboard sounds that heavily rely on the frantic drums goes from experimental to almost post-rock in matter of seconds and I love it.

The experimental parts are heavily influenced by electronica that is more nerve-shattering than dance-able. But these are mostly introductions to the instrumental passages that are created to make you feel like dancing. It really feels like the human here fights (and wins against) the machine. Even though there are no lyrics, this album works both as a work of music and as an anthem against everything that's wrong around us. To feel it even better, check out the duo live if you have a possibility!

Consuelo costs 9 EUR.

Check: Zapatos, Selfie, Genocidio, Makeup
Country: Spain
Genre: experimental instrumental



środa, 4 marca 2026

Softcult - When a Flower Doesn't Grow (2026)


Whenever the Arn-Horn sisters release an album, it makes a storm in the less mainstream music world. The Canadian duo and their skillfully crafted songs (and very coherent image) charm the audience with the blend of dreaminess and punk's attitude, making the artists call their music "riotgaze".

And I feel like this riotgaze gets better and better with every release so it's only apt that the debut album (so far the band has only EPs in their discography) is their best work yet. As things should be. Short album with short songs the range of whose stretches from delicate, dreamy compositions to high-paced shoegaze indie rock of the best quality. The latter is represented by my favourite in here: 16/25. Incredible flow, the backgrounds that burst with energy and quality melody make it feel like a breeze, wishing it was longer than two minutes, thirty seconds. But that's the thing about this music: it's short and beautiful. Hurry loving the music.

But there is more! She Said, He Said is a hit banger, Hurt Me is the sisters embracing their punk side while When a Flower Doesn't Grow closes the album with delicate, airy sounds that turns into the most rock sounds on the release. Oh and very punkish of them is also that...

When a Flower Doesn't Grow costs whatever you want to pay.

Check: 16/25
Country: Canada
Genre: riotgaze
Label: Easy Life Records




piątek, 20 lutego 2026

Born Erased - Birds Drink My Blood (2025)


Angel Simitchiev has appeared on this blog twice already but never under the moniker of Born Erased. His dark ambient soundscapes are of the best quality and now this is further certified by the fact that the December album was released by Cyclic Law. 

If you wonder what's the deal with the surprising and gory title of the album, its description explains it: the album is inspired by the brutal yet impressive nature of... nature. If you (metaphorically) squint a little, you can hear the album as a distorted soundtrack to documentary movie on the wonders and dangers of [insert any place that is not yet entirely tamed by humans]. Especially the moments where Simitchiev's dark ambient reveals some more ethereal sides (as in Voider). This probably means that, although still in the realm of ambient soundscapes, the tracks here are structured in a cinematic way, making them way more approachable to fans of other kinds of music.

Until, of course, this facade is completely destroyed by the industrial anxiety in Throne of Cages, but I guess it also fits the topic quite well. The nature is brutal, but the humans canbe even more so.

Birds Drink My Blood costs 8 EUR.

Check: Voider
Country: Bulgaria
Genre: cinematic dark ambient
Label: Cyclic Law




czwartek, 19 lutego 2026

Eveleen - falling rain and the light will take you there (2025)


Seta Respati creates his music as Eveleen and he has been doing it for over ten years now. Still, released last December album is his long-play debut so it's worth celebrating. He says that he "make[s] some noise, some people called it art" and I would be one of those "some people" since the single From Me To You I mentioned in here back in 2018.

I love it when I listen to one-person post-rock projects and am unable to say if it's really done by only one artist. This is the case with the Indonesian artist. His post-rock is delicate and skillfully crafted, it's definitely more about creating small gems of melodies than overwhelming with sound. The relaxing sounds feel like lying down on grass and experiencing the world around you from the safe and content position. The inclusion of piano keys that sound like glockenspiel in my ears, only adds to this feeling, making me think of the most relaxed tracks from Sigur Rós (yes, that's why I like dawn: an ascension the most).

So sit back, relax and get transported to the beautiful soundscapes provided by the talented artist from the far away land of Indonesia.

falling rain and the light will take you there costs 10 USD.

Check: dawn: an ascension 
Country: Indonesia
Genre: solo post-rock



środa, 18 lutego 2026

Bloed - Tranen (2025)


So I have this little tradition that before every edition of Dunk!Festival, I listen to the whole discographies of all of the announced bands. I listen to the artists I know to start celebrating this fantastic event and to the artists I don't know to assess if I want to see them live or choose eating something instead. And it's a great thing I do that as this made me discover Bloed, the Belgian band that combines everything I like in aggressive metal sounds.

A sister and two brothers make up the line up of this fresh outfit for whom this is the long distance debut. And saying they play metal is an extreme understatement. It's more like aggressive electronic music (sometimes makes me think of Crystal Castles) with aggressive vocals (the metal part here) and great bass lines-drums framework. Last year I was amazed how much I loved Igorrr's single track called Headbutt where truly impressive metal anger was combined with whatever Igorrr does to maintain their image of true weirdoes. So, in short, Bloed's music sounds like Headbutt without the weird. Electronica very rarely compliments the metal vocals so well so I give kudos to the rookies from the depth of my heart.

I believe Bloed's walls of noise will make many of Dunk!'s regulars blush while the exciting, modern compositions filled with ever-changing pace and surprising bursts of noise will force the audience to reach their limits in front of the stage. I, personally, can't wait.

Tranen costs 9 EUR.

Check: Druk
Country: Belgium
Genre: electronica-based modern metal



wtorek, 17 lutego 2026

Sunset Images - Oscilador (2026)


Back in 2018 I attended one of the best discontinued festivals in Poland. And that edition of SpaceFest was brilliant, it featured SPOIWO (one of two best post-rock bands in here, together with Ciśnienie, as we know), Medicine Boy and this unlikely hero: a psychedelic band from Mexico. And as most of SpaceFest artists, it took the whole audience far from Earth. Now, Samuel Osorio and the team come back with their third release and it's filled with the same vibes I remember.

In many places I can notice that Sunset Images is tagged as shoegaze project. While there certainly are some clear inspiration drawn from the genre, to me it's really the psychedelic rock that makes it so special about the Mexicans. Yes, there are fuzzy, ethereal vocals that add the airiness to the whole stuff, but they are accompanied by the roughest-sounding, desert-like guitars ever with a little trace of electronica. It is an invitation to the trance induced by the guitar noise that takes us to the hot and sun-kissed desolations of Central America so everyone can appreciate the psychedelic sunsets on their own.

The album, mixed by Alberto González (of Lorelle Meets the Obsolete) and mastered by Oliver Ackermann (A Place to Bury Strangers), revolves (!) around the way our world revolves all the time. "Our world is cyclical; everything repeats itself: our history, our customs, our trends, our way of communicating", the band says and, furthermore, they illustrate it with their repetition-rich music that goes on and on, bringing the audience a message of criticism of everything wrong about the reality around (!) us. 

Oscilador costs 8 EUR (150 MXN).

Check: El tiempo oscila y muere al inicio (Tommy)
Country: Mexico
Genre: shoegazey psychedelic rock
Label: Dedstrange




sobota, 14 lutego 2026

Tristan Perich & James McVinnie - Infinity Gradient (2025)


I dig pipe organ sound in anything. Give me Anna von Hausswolff's early releases anytime of day. But when I heard about this album where this instrument meets post-minimalism and "1-bit music", I had no idea what to expect.

Tristan Perich is well-known for his minimalist electronica (not by me cause that is, simply speaking, not my kind of music), James McVinnie is an acclaimed organist from NY and together they've created something they call "an hour-long symphony in seven movements for organ and 100 speakers in 1-bit audio". It sounds extremely impressive, probably more from the realm of modern art than music, but it doesn't matter to me much. What matters is that the album itself is so satisfying to listen to. Probably because all I hear is the organs i various compositions I have no ability to describe as I lack music knowledge. What I know is that the hour passed so quickly when I was submerged in the massive sound of the king of the instruments.

Infinity Gradient costs 9 EUR (8 GBP).

Check: Infinity Gradient: Section 7
Country: New York, US
Genre: organ-based orchestral neoclassical
Label: Erased Tapes Records



piątek, 13 lutego 2026

Theory of Ghosts - The Sulphur and the Grey (2026)


For many reasons, Closure by Piano Magic was an album as important as it was devastating to listen to for me. It also crowned the band's discography in near perfect way, but still meant that there was a musical presence I would sorely miss. Fortunately, on Piano Magic's ashes, Theory of Ghosts rose and it shares a lot of common things with its predecessor. And the artists behind it have just released their debut album!

Theory of Ghosts is Glen Johnson and Franck Alba (of Piano Magic) who, together with Robert Hervais-Adelman, create something I would call minimal ghost rock. All the PM fans out there will quickly recognize the vocals (obviously) but also the lyrical flavour that, to me, a person from Central Europe, is so strikingly British. I love it and I love when they sing about UK and London (places I've never been to, let alone have any relationship with) but also about more universal aspects of life. "When nobody knows who you are, you can do whatever you want" being probably the sentence I will take with me from this one.

Music-wise, it's a minimal (but still very artistic) electronica that has a hint of this autumnal sadness I associate these vocals with. Especially when it's joined by subtle guitar sounds and strings. Sometimes the electronic part is even more... beepy. I know it's not a word, but listening to Blame makes me think of this word. Theory of Ghosts is a great name as it's like listening to a ghost of something that used to be, but also to something that is completely new in form. 

The Sulphur and the Grey costs 9 EUR (7.99 GBP).

Check: When Nobody Knows Who You Are
Country: UK
Genre: minimal ghost rock
Label: Second Language Music




czwartek, 12 lutego 2026

monotheism - Mantra (2025)


Three masked individuals from a far away country of South Korea bring another near-divine (and very short) album to my speakers. 7 years (!) after their last EP (also mentioned in here), they come back with this trance-inducing, spiritual and mind-blowingly noisy release that is entitled Mantra but also IS a mantra at the same time.

"We play the resonance of the divine. Three waves become one mantra", they state and they follow by explaining the role of each of the three tracks on the EP. The noisy guitar sounds first let us connect with the divine resonance, then find the origins of all sounds and finally get lost within the sound itself. The aggressive-sounding guitars are most certainly NOT what one would imagine when reading a description like this, but I can assure you that the flow is there and it can take anyone with it towards the sonic awakening.

Mantra costs 5 USD.

Check: Cycle
Country: South Korea
Genre: noisssssy post-rock




środa, 11 lutego 2026

The Burning Paris - Last Leaves (2025)


When the American Post. Festival announced another batch of artists set to join this year's edition, one addition to the list caught my attention and reminded me that I used to listen to Coral City Ruin a lot when I was much younger. So I checked them (again) and I'm blown away and their 2025's third ever album is just exactly what I love in music.

They call it a combination of shoegaze, dream pop, neoclassical and post-rock, but I just call it "what if Piano Magic played post-rock today" and I can't think of a better compliment in my mind. I reckon it's the combination of the slowcore, extremely melancholic atmosphere, poetic lyrics and violins-heavy, but also very much multidimensional compositions that makes me think of the British band (R.I.P.). According to their own words, the music here "swells between serenity and intensity" and I have to say that the balance between the weight of the guitars and the beauty of piano and violin music (as well as the ethereal vocals) is perfectly struck.  

So it seems that during the hiatus of my attention in their music, the Americans managed to disband, get back together, albeit with substantial changes to the line-up, release their first album in years and now top it with a second release. And I'm more than glad to say that they keep doing what I remember from over 20 years ago.

Last Leaves costs 10 USD.

Check: August Fires
Country: Massachusetts, US
Genre: post-ghost rock
Label: A Thousand Arms Music



piątek, 6 lutego 2026

Mary Lattimore & Julianna Barwick - Tragic Magic (2026)


What can you get when you have an acclaimed harpist (Mary Lattimore) and equally acclaimed ambient pop artist Julianna Barwick in one room (I assume (EDIT: it was a whole philharmonie!) )creating music? Well, exactly what you've expected: pure magic (even if tragic). The two American musicians created one of the highlights of the dawn of this year and filled it with the perfect soundscape.

While I know some projects with harp music (LEYA!), it is still pretty exotic to me. I've seen Lattimore performing live already and harp sounds and subtle electronica make an interesting blend, but I feel like only now, with the addition of ethereal vocals, it is complete. I can't get rid of the picture of tall tree-stacked forest while listening to this album (curse you, fantasy movies!) so it's no wonder this is exactly what the album's cover art features. But there is also a certain amount of ethereal mist and omnipresent melancholia in the air present.

Naturally (sic!), this brings up the hippie, New Age vibes o the picture as well. But, according to the album's description, it is mostly focused on the human nature and inter-human relations. And nature. And the cosmic. I guess you can't escape these. Nevertheless, the combination of ambient pop with the sound of harp is something I did not have on my bingo card for 2026 music, but I'm glad I found it.

Tragic Magic costs 10 EUR.

Check: Perpetual Adoration
Country: US
Genre: harp-based ambient pop
Label: InFiné



czwartek, 5 lutego 2026

Syberia - Quan tot s'apagui (2026)


When I'm asked about the loudest concert I've ever been to, I mention MBV at OFF Festival and Syberia's gig in a tiny cellar in Kraków, where five guys barely fitting the small stage filled the space with extreme atmospheric noise. I'm ecstatic to listen to their new album that is all about the same glorious experience: the guitar noise that makes you fly.

Quan tot s'apagui (that translates roughly to "When everything goes out") is another album in recent months that is filled with dark and heavy post-rock. Yes, this is the band's signature sound (with Ain't.Care.About.Bullets as one of my very favourite post-rock tracks ever), but it's also a trend that must be fueled with whatever is going on with the world right now. But this darkness is also filled with energy (which usually is not a good sign, but this time it really is). The guitars gallop furiously most of the time, the walls of noise come at you one by one and I just loooove how the drums work here. This music is extreme, doesn't let you breathe even for a second, but it doesn't matter. You only want to breathe the sound.

Coming back to the Kraków concert: some enthusiastic but not very good at geopolitical matters bloke shouted "Viva España!" at the band (with good intentions) to which the artists politely corrected him that they are from Catalonia. And this brings me to the last point about the album: it is their first work in their own language which I respect extremely!

Quan tot s'apagui costs 9.99 EUR.

Check: naixença d'una mort tranquil·la
Country: Catalonia/Spain
Genre: dark post-rock
Label: Moment of Collapse Records